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home·artworks·St. Francis Kneeling
St. Francis Kneeling by Francisco de Zurbaran

plate no. 0724

St. Francis Kneeling

Francisco de Zurbaran, 1639

oil, canvasBaroquereligious paintingfiguremonkskullreligiousrobedark background
some experience helpful

Recreating this painting will help students develop skills in chiaroscuro and rendering folds in fabric. Students will also learn how to create a focal point through the use of light and shadow.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the figure's pose and the placement of the skull.

  2. step 02

    Establish the dark background with a thin wash of dark brown or black.

  3. step 03

    Block in the main shapes of the figure with mid-tone browns and grays.

  4. step 04

    Begin building up the highlights on the face, hands, and robe, using lighter shades of brown and white.

  5. step 05

    Carefully render the folds and drapery of the robe, paying attention to the way light and shadow define the form.

  6. step 06

    Add details to the skull, using subtle variations in color and value to create a sense of depth.

  7. step 07

    Refine the edges of the figure and the background, softening some areas and sharpening others to create a sense of atmosphere.

  8. step 08

    Add final highlights and shadows to enhance the contrast and create a sense of drama.

color palette

primary · burnt umber · raw umber · titanium white

secondary · yellow ochre · ivory black

Mix various shades of brown by combining burnt umber, raw umber, and yellow ochre. Use white to create highlights and black to deepen shadows.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·blending

common pitfalls

  • →Failing to establish a strong value structure early on.
  • →Overworking the details before establishing the overall form.
  • →Using too much paint and losing the sense of atmosphere.
  • →Not paying attention to the subtle variations in color and value.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints (burnt umber, raw umber, titanium white, yellow ochre, ivory black)
  • ·linseed oil
  • ·turpentine or mineral spirits
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife

optional

  • ·retouch varnish
  • ·painting medium

Use a medium-grit canvas for best results. Allow each layer of paint to dry before applying the next.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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