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home·artworks·St. Francis in Ecstasy
St. Francis in Ecstasy by Salvator Rosa

plate no. 1231

St. Francis in Ecstasy

Salvator Rosa

oil, canvasBaroquereligious paintingfiguretreeslandscapeskymountainsreligious
some experience helpful

Recreating this painting will help students develop skills in creating atmospheric perspective and rendering form with subtle value changes. It also provides practice in depicting complex foliage and creating a sense of depth.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Prepare a toned canvas with a dark umber wash.

  2. step 02

    Sketch the main compositional elements: figure, trees, mountains, and light source.

  3. step 03

    Block in the darkest areas of the painting, focusing on the foreground and tree trunks.

  4. step 04

    Establish the light source and begin building up the highlights in the sky and foliage.

  5. step 05

    Develop the mid-tones, blending the darks and lights to create form.

  6. step 06

    Add details to the figure, paying attention to the drapery and facial features.

  7. step 07

    Refine the foliage and add texture using dry brush techniques.

  8. step 08

    Glaze over areas to unify the colors and create atmospheric depth.

color palette

primary · raw umber · burnt umber · yellow ochre

secondary · ultramarine blue · titanium white · raw sienna

Achieve the dark, earthy tones by mixing umbers with small amounts of blue. Use yellow ochre and white to create the highlights in the sky and foliage. Glaze with thin washes of umber to create depth.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brush
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using too much paint and losing the transparency of the glazes.
  • →Ignoring the atmospheric perspective and creating a flat image.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·damar varnish
  • ·turpentine

Use a medium-tooth canvas to allow for layering and texture. Consider using a fast-drying medium to speed up the drying time between layers.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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