
plate no. 4594
Bernardo Strozzi, 1637
Recreating this painting will help students develop skills in rendering realistic skin tones and drapery, as well as understanding dramatic lighting and composition. It also provides practice in depicting complex textures and forms.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on the placement of the figure, crucifix, book, and skull.
Establish the background with a dark, muted tone, leaving a lighter area behind the figure's head.
Block in the main shapes of the figure, crucifix, book, and skull with mid-tone values.
Begin layering in highlights and shadows on the figure, paying attention to the light source and form.
Develop the details of the crucifix, book, and skull, adding texture and subtle color variations.
Refine the drapery of the robe, using highlights and shadows to create a sense of volume and movement.
Add the final details, such as the rosary beads and the inscription on the crucifix.
Glaze the painting to unify the colors and create a sense of depth.
color palette
primary · burnt umber · raw sienna · ivory black · titanium white
secondary · cadmium yellow · alizarin crimson · ultramarine blue
Achieve the skin tones by mixing burnt umber, raw sienna, and titanium white, with small amounts of alizarin crimson and cadmium yellow for warmth. Use ivory black and ultramarine blue to create the dark background and shadows.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. Consider using a toned canvas to speed up the underpainting process.
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