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home·artworks·St. Francis
St. Francis by Guido Reni

plate no. 8464

St. Francis

Guido Reni, 1610

oil, canvasBaroquereligious paintingfigureskullrobefoliagereligious
some experience helpful

Recreating this painting will help students understand value relationships and how to create form using light and shadow. It also provides practice in rendering drapery and the human figure.

technical profile

palette complexity
2
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: figure, skull, background elements.

  2. step 02

    Establish the darkest and lightest areas with thin washes of paint.

  3. step 03

    Gradually build up the mid-tones, focusing on the form of the figure and skull.

  4. step 04

    Refine the details of the face and hands, paying attention to the subtle shifts in value.

  5. step 05

    Add texture to the robe and background using dry brush techniques.

  6. step 06

    Soften edges where needed to create a sense of atmosphere.

  7. step 07

    Add final highlights to enhance the sense of light.

  8. step 08

    Step back and assess the overall balance of values and adjust as needed.

color palette

primary · ivory black · raw umber · titanium white

secondary · burnt umber · yellow ochre

Mix various shades of gray by combining ivory black and titanium white. Add small amounts of raw umber or burnt umber to warm or cool the grays as needed.

techniques

  • ·grisaille
  • ·value study
  • ·dry brushing
  • ·blending
  • ·chiaroscuro

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Creating harsh edges that detract from the overall harmony.
  • →Getting the proportions of the figure wrong.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Ivory black oil paint
  • ·Titanium white oil paint
  • ·Raw umber oil paint
  • ·Round brushes (sizes 2, 4, 6)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette

optional

  • ·Palette knife
  • ·Burnt umber oil paint
  • ·Yellow ochre oil paint
  • ·Medium (e.g., Liquin)

A toned canvas (e.g., with a thin wash of burnt umber) can be helpful for establishing the initial values.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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