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home·artworks·St. Francis and St. Clare of Assisi in adoration of the Infant Christ
St. Francis and St. Clare of Assisi in adoration of the Infant Christ by Josefa de Obidos

plate no. 0737

St. Francis and St. Clare of Assisi in adoration of the Infant Christ

Josefa de Obidos

oilBaroquereligious paintingfiguresbabycavereligiouslightshadow
experienced study

This painting provides an opportunity to practice chiaroscuro and rendering figures in dramatic lighting. Students will learn to create depth and form using value contrasts.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
5
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the light source.

  2. step 02

    Block in the darkest areas of the cave and the figures' clothing with a dark brown or black.

  3. step 03

    Establish the main light source and begin layering in highlights on the figures and the baby.

  4. step 04

    Mix skin tones using white, yellow ochre, and a touch of red, and apply them to the figures' faces and hands.

  5. step 05

    Add details to the baby's face and body, paying attention to the subtle shifts in value.

  6. step 06

    Refine the details of the clothing and the surrounding cave, adding texture and depth.

  7. step 07

    Glaze over the dark areas to deepen the shadows and create a sense of atmosphere.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · ivory black · raw umber · yellow ochre · titanium white

secondary · burnt sienna · cadmium red light

Mix dark browns by combining raw umber and ivory black. Achieve skin tones by mixing yellow ochre, titanium white, and a touch of cadmium red light. Use burnt sienna to add warmth to shadows.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·blending
  • ·underpainting

common pitfalls

  • →Failing to establish a strong light source.
  • →Over-blending, resulting in a flat, lifeless appearance.
  • →Not creating enough contrast between light and shadow.
  • →Getting lost in details before establishing the overall values.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·burnt sienna oil paint
  • ·cadmium red light oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a high-quality canvas and oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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