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home·artworks·St Filippo Neri in Ecstasy
St Filippo Neri in Ecstasy by Guido Reni

plate no. 6672

St Filippo Neri in Ecstasy

Guido Reni, 1614

oilBaroquereligious paintingfigurereligiousrobesangelsskylily
experienced study

Recreating this painting will help students develop skills in portraiture, drapery, and creating a sense of depth through atmospheric perspective. Students will also learn to mix subtle color variations within a limited palette.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure and the main elements.

  2. step 02

    Establish the background with a thin wash of burnt umber and gradually build up the darker tones.

  3. step 03

    Block in the main colors of the figure's robe, using a mix of reds and browns.

  4. step 04

    Begin to refine the facial features, paying close attention to the light and shadow.

  5. step 05

    Add the details of the robe's ornamentation using a fine brush and a mix of yellow ochre and burnt sienna.

  6. step 06

    Paint the angels and the Virgin Mary with soft, blended brushstrokes.

  7. step 07

    Add the final highlights and details to the figure and the background.

  8. step 08

    Glaze the painting with thin layers of color to unify the composition and create a sense of depth.

color palette

primary · burnt umber · titanium white · cadmium red

secondary · yellow ochre · ivory black

Achieve the robe's color by mixing cadmium red with burnt umber and titanium white. Use yellow ochre to create the gold ornamentation. Mix ivory black with burnt umber for the darker areas.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture
  • ·drapery

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Not blending the brushstrokes sufficiently.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·cadmium red oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·ivory black oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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