apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·St. Diego Giving Alms
St. Diego Giving Alms by Bartolomé Esteban Murillo

plate no. 4129

St. Diego Giving Alms

Bartolomé Esteban Murillo, 1646

oil, canvasBaroquereligious paintingfiguresreligious scenechildrenpovertymonkcharity
experienced study

Recreating this painting will help students develop skills in figure drawing, portraiture, and creating a sense of depth through atmospheric perspective. It also provides practice in rendering realistic textures and fabrics.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of figures.

  2. step 02

    Block in the main shapes and values using a limited palette of earth tones.

  3. step 03

    Develop the background, gradually adding darker values to create depth.

  4. step 04

    Focus on the central figures, refining their forms and adding details to their faces and clothing.

  5. step 05

    Pay attention to the light source and how it affects the shadows and highlights on each figure.

  6. step 06

    Mix and apply colors for the clothing, using glazes to build up depth and richness.

  7. step 07

    Add final details such as facial features, textures, and highlights.

  8. step 08

    Varnish the painting to protect the surface and enhance the colors.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · yellow ochre · cadmium red light · ultramarine blue · van dyke brown

Achieve the muted tones by mixing earth pigments with white and small amounts of blue or red. Use glazes of transparent colors to create depth and luminosity.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·portraiture
  • ·figure drawing

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth and atmosphere.
  • →Using colors that are too bright or saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas (24x36 inches)
  • ·oil paints (burnt umber, raw sienna, ivory black, titanium white, yellow ochre, cadmium red light, ultramarine blue, van dyke brown)
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round, flat, filbert)
  • ·palette knife

optional

  • ·retouch varnish
  • ·painting medium (e.g., Liquin)
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne