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home·artworks·St Damian
St Damian by Juan Carreño de Miranda

plate no. 7984

St Damian

Juan Carreño de Miranda, 1670

oilBaroquereligious paintingfigureangelcloudsdraperyreligiouscherub
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing facial expressions and rendering realistic skin tones, as well as understanding the use of chiaroscuro to create depth and drama.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main figures and composition.

  2. step 02

    Establish the background with broad, blended strokes of muted blues and browns.

  3. step 03

    Block in the main shapes of the figures with base colors, paying attention to proportions.

  4. step 04

    Start building up the values in the face and hands, focusing on light and shadow.

  5. step 05

    Develop the drapery with layers of color, creating folds and highlights.

  6. step 06

    Add details to the angel and wreath, softening edges for a ethereal feel.

  7. step 07

    Refine the facial features and details of the box, adding highlights and shadows.

  8. step 08

    Glaze with thin layers to unify the colors and create depth.

color palette

primary · raw umber · titanium white · cadmium red light · yellow ochre

secondary · ultramarine blue · burnt sienna · sap green

Achieve skin tones by mixing titanium white, yellow ochre, and cadmium red light. Use raw umber and ultramarine blue for shadows. Muted greens can be achieved by mixing yellow ochre, ultramarine blue, and a touch of burnt sienna.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·blending
  • ·scumbling
  • ·portraiture

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the subtle shifts in color temperature.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·#2 round brush
  • ·#6 filbert brush
  • ·palette
  • ·palette knife

optional

  • ·retouch varnish
  • ·painting medium

Use a medium-grain canvas for best results. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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