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home·artworks·St. Cecilia at the organ
St. Cecilia at the organ by Onorio Marinari

plate no. 3286

St. Cecilia at the organ

Onorio Marinari, 1686

oil, canvasBaroquereligious paintingfigureorgandressflowerscurtainmusic
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as understanding light and shadow to create depth and form.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figure and organ.

  2. step 02

    Establish the background with a dark, warm tone, suggesting the curtain and wall.

  3. step 03

    Block in the main shapes of the figure, including the dress, hair, and face, using simplified color masses.

  4. step 04

    Begin refining the facial features, paying close attention to the light and shadow on the face to create form.

  5. step 05

    Develop the details of the dress, including the folds, highlights, and gold embellishments.

  6. step 06

    Paint the organ, focusing on the geometric shapes and the play of light on the surface.

  7. step 07

    Add the flowers in the hair, paying attention to their delicate forms and colors.

  8. step 08

    Refine the overall painting, adjusting values and colors as needed to create a cohesive and harmonious image.

color palette

primary · ivory black · raw umber · yellow ochre · titanium white

secondary · viridian · alizarin crimson · ultramarine blue

Achieve the skin tones by mixing white, yellow ochre, and a touch of red and umber. Use glazes of thinned colors to build up depth and luminosity in the shadows.

techniques

  • ·glazing
  • ·chiaroscuro
  • ·portraiture
  • ·rendering fabric
  • ·blending

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth and atmosphere.
  • →Inaccurate skin tone mixing.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (ivory black, raw umber, yellow ochre, titanium white, viridian, alizarin crimson, ultramarine blue)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas to establish a base color.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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