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home·artworks·St. Bruno, the Carthusian
St. Bruno, the Carthusian by Jusepe de Ribera

plate no. 2817

St. Bruno, the Carthusian

Jusepe de Ribera, 1643

oil, canvasBaroquereligious paintingfigureangelsskylandscaperocksskull
some experience helpful

Recreating this painting will help students develop skills in rendering realistic figures, drapery, and atmospheric perspective. It also provides practice in achieving subtle color variations and creating a focal point through composition and value contrast.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, angels, and landscape elements.

  2. step 02

    Establish the background sky and distant mountains with thin washes of color.

  3. step 03

    Block in the main shapes of the figure and rocks, paying attention to proportions and perspective.

  4. step 04

    Begin layering in the mid-tones and shadows on the figure's robe, using a limited palette of whites, browns, and grays.

  5. step 05

    Add details to the face and hands, focusing on accurate rendering of light and shadow.

  6. step 06

    Paint the angels, blending soft edges to create a sense of ethereal quality.

  7. step 07

    Develop the foreground landscape with more detail, adding texture to the rocks and foliage.

  8. step 08

    Refine the overall painting, adjusting values and adding highlights to create a sense of depth and realism.

color palette

primary · titanium white · raw umber · ultramarine blue

secondary · burnt sienna · yellow ochre · ivory black

Achieve the skin tones by mixing white, raw umber, and a touch of burnt sienna. Create the sky by diluting ultramarine blue with white and adding subtle variations with yellow ochre.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·drapery rendering

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using too much color and losing the overall tonal harmony.
  • →Not paying attention to the subtle gradations of light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·ultramarine blue oil paint
  • ·burnt sienna oil paint
  • ·yellow ochre oil paint
  • ·ivory black oil paint
  • ·#4 round brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a toned ground to help establish the overall color harmony.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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