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home·artworks·St. Bonaventura Receiving the Banner of St. Sepulchre from the Madonna
St. Bonaventura Receiving the Banner of St. Sepulchre from the Madonna by Francesco Solimena

plate no. 3449

St. Bonaventura Receiving the Banner of St. Sepulchre from the Madonna

Francesco Solimena, 1710

oil, canvasBaroquereligious paintingfiguresangelsflagcloudsarchitecturereligious
experienced study

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating atmospheric perspective. Students will also learn to mix subtle skin tones and create a sense of depth through layering.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Begin layering in the darker values, focusing on the shadows and folds in the drapery.

  4. step 04

    Gradually build up the highlights, paying attention to the form and anatomy of the figures.

  5. step 05

    Refine the details of the faces and hands, using small brushes and subtle color variations.

  6. step 06

    Add the details of the flag, architecture, and other background elements.

  7. step 07

    Glaze over the painting to unify the colors and create a sense of depth.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · ultramarine blue · burnt umber · titanium white

secondary · yellow ochre · cadmium red light · ivory black

Mix skin tones by blending white, yellow ochre, and a touch of red. Use ultramarine blue mixed with black and white for the dark blues of the Virgin Mary's robe. Create atmospheric perspective by adding white to colors as they recede into the background.

techniques

  • ·figure drawing
  • ·drapery rendering
  • ·glazing
  • ·scumbling
  • ·chiaroscuro

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the details and losing the overall sense of unity.
  • →Failing to create a convincing sense of depth.
  • →Using colors that are too saturated or unnatural.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round, flat, filbert)
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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