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home·artworks·St. Bernard and the Virgin
St. Bernard and the Virgin by Alonzo Cano

plate no. 8189

St. Bernard and the Virgin

Alonzo Cano, 1650

oil, canvasBaroquereligious paintingfiguresreligiousinteriorarchitecturewindowrobes
some experience helpful

Recreating this painting will help students develop skills in depicting realistic folds and drapery, as well as understanding how light interacts with different surfaces and textures. It also provides practice in rendering figures in a believable space.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main figures, the altar, and the architectural elements.

  2. step 02

    Establish the dark background using thin washes of dark brown and black.

  3. step 03

    Block in the main colors for the figures: red for the Virgin's robe and the kneeling monk, white for St. Bernard's habit, and the red/brown of the altar.

  4. step 04

    Start building up the values in the figures, focusing on the highlights and shadows to create form.

  5. step 05

    Pay close attention to the drapery of the robes, using subtle variations in tone to suggest folds and movement.

  6. step 06

    Add details to the faces, hands, and other features, using small brushes and careful observation.

  7. step 07

    Refine the architectural elements, including the window and the steps, paying attention to perspective and proportion.

  8. step 08

    Add final highlights and shadows to create a sense of depth and realism.

color palette

primary · ivory black · titanium white · cadmium red light · raw umber

secondary · ultramarine blue · yellow ochre · burnt sienna

Mix various shades of white with small amounts of raw umber and yellow ochre to create the off-white tones of the robes. Use ultramarine blue and cadmium red to create the darker blues and reds. Mix raw umber and burnt sienna for the darker browns of the background.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·underpainting
  • ·drapery study

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the details and losing the overall sense of form.
  • →Not paying enough attention to the subtle variations in tone.
  • →Failing to create a convincing sense of depth and space.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·cadmium red light oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for building up layers of paint.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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