
plate no. 8189
Alonzo Cano, 1650
Recreating this painting will help students develop skills in depicting realistic folds and drapery, as well as understanding how light interacts with different surfaces and textures. It also provides practice in rendering figures in a believable space.
technical profile
approach — 8 steps
Begin with a light sketch outlining the main figures, the altar, and the architectural elements.
Establish the dark background using thin washes of dark brown and black.
Block in the main colors for the figures: red for the Virgin's robe and the kneeling monk, white for St. Bernard's habit, and the red/brown of the altar.
Start building up the values in the figures, focusing on the highlights and shadows to create form.
Pay close attention to the drapery of the robes, using subtle variations in tone to suggest folds and movement.
Add details to the faces, hands, and other features, using small brushes and careful observation.
Refine the architectural elements, including the window and the steps, paying attention to perspective and proportion.
Add final highlights and shadows to create a sense of depth and realism.
color palette
primary · ivory black · titanium white · cadmium red light · raw umber
secondary · ultramarine blue · yellow ochre · burnt sienna
Mix various shades of white with small amounts of raw umber and yellow ochre to create the off-white tones of the robes. Use ultramarine blue and cadmium red to create the darker blues and reds. Mix raw umber and burnt sienna for the darker browns of the background.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for building up layers of paint.
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