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home·artworks·St. Anthony the Abbot and St. Paul the First Hermit
St. Anthony the Abbot and St. Paul the First Hermit by Diego Velázquez

plate no. 3075

St. Anthony the Abbot and St. Paul the First Hermit

Diego Velázquez, 1635

oil, canvasBaroquereligious paintingfigureslandscaperocksskytreescave
experienced study

Recreating this painting will help students develop skills in rendering figures in a landscape setting and understanding atmospheric perspective. It also provides practice in capturing the texture of rocks and foliage with visible brushstrokes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures, rocks, and horizon line.

  2. step 02

    Establish the main light and shadow areas using a thin wash of burnt umber.

  3. step 03

    Block in the sky with broad strokes, blending blues, grays, and whites to create cloud formations.

  4. step 04

    Develop the rocks, using a variety of browns and grays, and pay attention to the direction of light.

  5. step 05

    Paint the figures, starting with the underpainting and gradually building up the details of the faces and clothing.

  6. step 06

    Add details to the trees and foliage, using a dry brush technique to create texture.

  7. step 07

    Refine the highlights and shadows throughout the painting to create depth and dimension.

  8. step 08

    Add final details, such as the crow and the distant landscape.

color palette

primary · burnt umber · titanium white · ultramarine blue · yellow ochre

secondary · raw sienna · ivory black · cadmium yellow light

Mix various shades of brown and gray by combining burnt umber, ultramarine blue, and titanium white. Use yellow ochre and cadmium yellow light to create highlights on the rocks and foliage.

techniques

  • ·underpainting
  • ·glazing
  • ·dry brush
  • ·scumbling
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a clear light source.
  • →Using too much paint and losing the transparency of the glazes.
  • →Ignoring the importance of atmospheric perspective in creating depth.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·#4 round brush
  • ·#8 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a pre-primed canvas to save time.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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