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home·artworks·St. Anthony of Padua
St. Anthony of Padua by Francisco de Zurbaran

plate no. 4652

St. Anthony of Padua

Francisco de Zurbaran, 1640

oil, canvasBaroquereligious paintingfigurebabymonkbuildinglandscapeflowers
some experience helpful

Recreating this painting will help students develop skills in chiaroscuro, portraiture, and rendering fabric folds. It also provides practice in creating a sense of depth and atmosphere using value and color.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the background elements.

  2. step 02

    Establish the dark background using a thin wash of dark brown.

  3. step 03

    Block in the main shapes of the monk's robe and the baby's form, paying attention to the light and shadow.

  4. step 04

    Begin to refine the details of the face and hands, using subtle gradations of tone.

  5. step 05

    Develop the folds and highlights in the robe, creating a sense of volume and texture.

  6. step 06

    Add the details of the background landscape and the flowers.

  7. step 07

    Refine the edges and details throughout the painting, paying attention to the overall harmony and balance.

  8. step 08

    Add final glazes to enhance the depth and richness of the colors.

color palette

primary · burnt umber · raw umber · titanium white · ivory black

secondary · yellow ochre · raw sienna · cadmium red light

Achieve the flesh tones by mixing titanium white, yellow ochre, and a touch of cadmium red light. The robe is primarily a mix of burnt umber, raw umber, and ivory black, lightened with titanium white for highlights.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·blending
  • ·portraiture

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too bright or saturated.
  • →Not paying attention to the subtle gradations of tone in the face and hands.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·#4 round brush
  • ·#6 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·turpentine

Use high-quality oil paints for best results. A toned canvas (e.g., with a thin wash of burnt umber) can be helpful.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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