
plate no. 4652
Francisco de Zurbaran, 1640
Recreating this painting will help students develop skills in chiaroscuro, portraiture, and rendering fabric folds. It also provides practice in creating a sense of depth and atmosphere using value and color.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on the placement of the figures and the background elements.
Establish the dark background using a thin wash of dark brown.
Block in the main shapes of the monk's robe and the baby's form, paying attention to the light and shadow.
Begin to refine the details of the face and hands, using subtle gradations of tone.
Develop the folds and highlights in the robe, creating a sense of volume and texture.
Add the details of the background landscape and the flowers.
Refine the edges and details throughout the painting, paying attention to the overall harmony and balance.
Add final glazes to enhance the depth and richness of the colors.
color palette
primary · burnt umber · raw umber · titanium white · ivory black
secondary · yellow ochre · raw sienna · cadmium red light
Achieve the flesh tones by mixing titanium white, yellow ochre, and a touch of cadmium red light. The robe is primarily a mix of burnt umber, raw umber, and ivory black, lightened with titanium white for highlights.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. A toned canvas (e.g., with a thin wash of burnt umber) can be helpful.
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