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home·artworks·St. Andrew
St. Andrew by Jusepe de Ribera

plate no. 1136

St. Andrew

Jusepe de Ribera, 1618

oilTenebrismreligious paintingfiguremanbeardreligiouslightshadow
some experience helpful

Recreating this painting will help students develop skills in dramatic lighting (chiaroscuro) and rendering human anatomy in a limited color palette. It also provides practice in creating a focal point through the use of light and shadow.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
5
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure and the cross.

  2. step 02

    Establish the darkest areas of the background with a thin wash of burnt umber.

  3. step 03

    Block in the main areas of light on the figure, using a mix of yellow ochre and white.

  4. step 04

    Begin to refine the form of the figure, adding mid-tones and shadows to create depth.

  5. step 05

    Pay close attention to the highlights on the face and hands, using small, precise brushstrokes.

  6. step 06

    Develop the texture of the beard using dry brush techniques.

  7. step 07

    Refine the details of the cross, paying attention to the way the light falls on it.

  8. step 08

    Add final glazes to unify the painting and enhance the shadows.

color palette

primary · burnt umber · yellow ochre · titanium white

secondary · raw sienna · ivory black

Mix yellow ochre and white for the highlights on the skin. Use burnt umber and ivory black to create the deep shadows. Raw sienna can be used to add warmth to the mid-tones.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·dry brush
  • ·blending
  • ·underpainting

common pitfalls

  • →Failing to establish a strong value contrast.
  • →Over-blending the shadows, resulting in a muddy appearance.
  • →Ignoring the subtle color variations in the skin tones.
  • →Losing the form of the figure in the shadows.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brush (size 8)
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·palette knife
  • ·medium gloss
  • ·raw sienna oil paint
  • ·ivory black oil paint

A toned canvas (burnt umber wash) can be helpful for establishing the dark background.

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oil painting for beginners →how to learn by studying the masters →
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