
plate no. 7401
Georges de la Tour, 1620
Recreating this painting will help students understand chiaroscuro and how to model forms using light and shadow. It also provides practice in rendering realistic textures like skin, hair, and fabric.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on the placement of the figure, book, and robe.
Establish the dark background and general shadow areas using a thin wash of burnt umber.
Block in the main areas of light on the face, hands, robe, and book with a mid-tone mixture.
Begin layering lighter tones on the highlighted areas, gradually building up the form.
Add darker tones to the shadow areas, paying attention to the subtle gradations of value.
Refine the details of the face, hands, beard, and book, focusing on accurate proportions and textures.
Glaze thin layers of color to unify the painting and enhance the depth of shadows.
Add final highlights and details to create a sense of realism.
color palette
primary · burnt umber · raw sienna · titanium white
secondary · cadmium red · ivory black
Mix various shades of brown and beige by combining burnt umber, raw sienna, and titanium white. Use cadmium red to create the red robe, and add ivory black to darken the shadows.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.
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