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home·artworks·St. Andrew
St. Andrew by Georges de la Tour

plate no. 7401

St. Andrew

Georges de la Tour, 1620

oil, canvasTenebrismreligious paintingfiguremanbeardbookrobereligious
some experience helpful

Recreating this painting will help students understand chiaroscuro and how to model forms using light and shadow. It also provides practice in rendering realistic textures like skin, hair, and fabric.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, book, and robe.

  2. step 02

    Establish the dark background and general shadow areas using a thin wash of burnt umber.

  3. step 03

    Block in the main areas of light on the face, hands, robe, and book with a mid-tone mixture.

  4. step 04

    Begin layering lighter tones on the highlighted areas, gradually building up the form.

  5. step 05

    Add darker tones to the shadow areas, paying attention to the subtle gradations of value.

  6. step 06

    Refine the details of the face, hands, beard, and book, focusing on accurate proportions and textures.

  7. step 07

    Glaze thin layers of color to unify the painting and enhance the depth of shadows.

  8. step 08

    Add final highlights and details to create a sense of realism.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · cadmium red · ivory black

Mix various shades of brown and beige by combining burnt umber, raw sienna, and titanium white. Use cadmium red to create the red robe, and add ivory black to darken the shadows.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·blending
  • ·modeling
  • ·scumbling

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using too much paint and losing the subtle gradations of tone.
  • →Not paying enough attention to the proportions of the figure.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·ivory black oil paint
  • ·linseed oil
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·medium gloss
  • ·painting easel

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

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oil painting for beginners →how to learn by studying the masters →
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