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St Andrew by Francisco Herrera

plate no. 0628

St Andrew

Francisco Herrera, 1630

oilBaroquereligious paintingfiguresaintcrossrobebeardhalo
some experience helpful

Recreating this painting will help students develop skills in portraiture, drapery rendering, and achieving depth through value and color variations. It also provides practice in capturing the texture of skin and fabric.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the figure's pose and the placement of the cross.

  2. step 02

    Establish the background with dark, muted tones, creating a sense of depth.

  3. step 03

    Block in the main shapes of the figure, including the robe and the flesh tones, using broad strokes.

  4. step 04

    Begin layering the colors of the robe, paying attention to the highlights and shadows to create a sense of volume.

  5. step 05

    Develop the facial features, focusing on capturing the likeness and expression of the saint.

  6. step 06

    Add details to the cross, including the texture of the wood and any decorative elements.

  7. step 07

    Refine the overall painting, adjusting the values and colors as needed to create a cohesive and harmonious image.

  8. step 08

    Add final details such as the halo and any subtle highlights.

color palette

primary · red ochre · raw umber · ivory black · titanium white

secondary · yellow ochre · sap green

Mix red ochre and raw umber for the robe's base color, adding white for highlights and black for shadows. Use yellow ochre and sap green for the drapery, adjusting the proportions to create variations in tone.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture
  • ·drapery study

common pitfalls

  • →Overblending colors, resulting in a flat, lifeless appearance.
  • →Ignoring the importance of value contrast, leading to a lack of depth.
  • →Failing to capture the likeness and expression of the saint.
  • →Getting lost in details too early, before establishing the overall composition and values.

materials

surface · stretched canvas

required

  • ·Stretched canvas (18x24 inches)
  • ·Oil paints (red ochre, raw umber, ivory black, titanium white, yellow ochre, sap green)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Assorted brushes (round and flat)
  • ·Palette
  • ·Palette knife
  • ·Rags

optional

  • ·Medium gloss
  • ·Retouch varnish

Use high-quality oil paints for best results. Consider using a toned canvas to create a more unified color palette.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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