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home·artworks·St. Ambrose
St. Ambrose by Matthias Stom

plate no. 1983

St. Ambrose

Matthias Stom

oil, canvasBaroquereligious paintingfigurerobebookstaffbeardreligious
experienced study

Recreating this painting will help students develop skills in portraiture, particularly rendering realistic skin tones and drapery folds. It also provides practice in capturing textures like fabric and metal.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure and key objects.

  2. step 02

    Establish the background with a dark, muted tone.

  3. step 03

    Block in the main shapes of the figure, including the robe, hat, and face, using simplified color masses.

  4. step 04

    Begin refining the facial features, paying close attention to light and shadow to create form.

  5. step 05

    Develop the details of the robe, including the folds and patterns, using a combination of layering and blending techniques.

  6. step 06

    Add details to the hands and book, focusing on accurate proportions and textures.

  7. step 07

    Paint the staff, capturing its metallic sheen and intricate design.

  8. step 08

    Add final highlights and shadows to enhance the overall realism and depth.

color palette

primary · burnt umber · cadmium red · yellow ochre · titanium white

secondary · ivory black · ultramarine blue · raw sienna

Achieve skin tones by mixing white, yellow ochre, and a touch of red. Use burnt umber and black for shadows, and add blue to darken the background.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture
  • ·drapery study

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Inaccurate proportions of the figure.
  • →Not capturing the subtle variations in skin tone.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·turpentine or odorless mineral spirits
  • ·linseed oil
  • ·palette
  • ·assorted brushes (round, flat, filbert)
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a toned canvas to speed up the painting process.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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