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home·artworks·St. Agabus standing in front of a clouded sky. Patron saint of prophets and fortune tellers.
St. Agabus standing in front of a clouded sky. Patron saint of prophets and fortune tellers. by Juan Bautista Maíno

plate no. 6263

St. Agabus standing in front of a clouded sky. Patron saint of prophets and fortune tellers.

Juan Bautista Maíno

oilBaroquereligious paintingfigurebuildingskycloudsreligiousportrait
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as understanding how to depict drapery and architectural forms.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figure, building, and background.

  2. step 02

    Block in the main shapes and colors of the sky, figure's robe, and the building using thin washes.

  3. step 03

    Begin to build up the values and details in the face, paying close attention to the light and shadow.

  4. step 04

    Develop the folds and highlights in the robe, using a combination of blending and layering techniques.

  5. step 05

    Add details to the building, focusing on accurate perspective and architectural features.

  6. step 06

    Refine the background clouds, creating a sense of depth and atmosphere.

  7. step 07

    Add final highlights and details to the entire painting, ensuring a cohesive and realistic look.

  8. step 08

    Varnish the painting to protect it and enhance the colors.

color palette

primary · titanium white · ivory black · raw umber · ultramarine blue

secondary · burnt sienna · yellow ochre

Mix various shades of gray and blue for the sky. Use white with small amounts of umber and sienna to create the off-white robe. Mix umber and black for the darker areas of the robe and hair.

techniques

  • ·portraiture
  • ·glazing
  • ·blending
  • ·drapery rendering
  • ·architectural rendering

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth and atmosphere in the background.
  • →Inaccurate perspective on the building.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints (titanium white, ivory black, raw umber, burnt sienna, yellow ochre, ultramarine blue)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags or paper towels

optional

  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Consider using a toned canvas to create a warmer base.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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