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home·artworks·Square ​​San-Fernando in Seville
Square ​​San-Fernando in Seville by Vasily Surikov

plate no. 1968

Square ​​San-Fernando in Seville

Vasily Surikov, 1910

oil, canvasRealismcityscapecityscapepalm treesbuildingsfigurescarriagesstreet
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve realistic light and shadow, as well as practice creating depth through atmospheric perspective and varying brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees, buildings, and major shapes of the street.

  2. step 02

    Establish the sky with a thin layer of blue, blending towards the horizon.

  3. step 03

    Block in the large areas of the buildings with light, warm tones, paying attention to the light and shadow.

  4. step 04

    Paint the street using a mix of warm and cool grays, varying the tones to create depth and perspective.

  5. step 05

    Add the palm trees, starting with the trunks and then building up the foliage with short, broken brushstrokes.

  6. step 06

    Introduce the figures and carriages, simplifying their forms and focusing on their silhouettes and shadows.

  7. step 07

    Refine the details of the buildings and trees, adding small highlights and shadows to create texture and interest.

  8. step 08

    Add final touches and adjust the colors as needed to achieve a harmonious overall effect.

color palette

primary · ultramarine blue · yellow ochre · titanium white · burnt umber

secondary · cadmium yellow · alizarin crimson · viridian

Mix various shades of gray for the street by combining white, umber, and a touch of blue or crimson. Create the greens for the palm trees by mixing blue, yellow, and umber.

techniques

  • ·broken color
  • ·scumbling
  • ·atmospheric perspective
  • ·alla prima
  • ·blocking in

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth and perspective.
  • →Using colors that are too saturated or unrealistic.
  • →Not varying the brushstrokes enough to create texture and interest.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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