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home·artworks·Spring. The Rooks Have Arrived.
Spring. The Rooks Have Arrived. by Aleksey Savrasov

plate no. 7755

Spring. The Rooks Have Arrived.

Aleksey Savrasov, 1872

oilRealismlandscapewinterlandscapetreessnowskychurch
some experience helpful

This painting is great for learning atmospheric perspective and how to create a sense of depth using color and value. It also offers practice in rendering bare trees and subtle cloud formations.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and placement of the church and trees.

  2. step 02

    Establish the sky with broad washes of muted blues, grays, and whites, blending softly.

  3. step 03

    Lay in the distant landscape with thin washes of browns and grays, keeping the values lighter than the foreground.

  4. step 04

    Paint the snow-covered ground, using a mix of white, gray, and subtle hints of brown and blue to create shadows and variations.

  5. step 05

    Add the church, paying attention to its architectural details and the subtle color variations in its walls.

  6. step 06

    Paint the bare trees, using thin lines and varying the thickness to create a sense of depth and realism.

  7. step 07

    Add the rooks and their nests in the trees.

  8. step 08

    Refine the details and adjust the values to create a cohesive and atmospheric painting.

color palette

primary · titanium white · raw umber · ultramarine blue

secondary · burnt sienna · yellow ochre · payne's gray

Mix white with small amounts of raw umber and blue to create the cool tones of the snow and sky. Use burnt sienna and yellow ochre for the warmer tones in the trees and distant landscape.

techniques

  • ·atmospheric perspective
  • ·dry brushing
  • ·glazing
  • ·scumbling
  • ·color mixing

common pitfalls

  • →Making the colors too saturated or bright.
  • →Overworking the details and losing the overall atmospheric effect.
  • →Failing to create a sense of depth in the landscape.
  • →Making the trees too uniform or symmetrical.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·ultramarine blue oil paint
  • ·burnt sienna oil paint
  • ·round brushes size 2-6
  • ·flat brushes size 4-8
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-grain canvas for best results. Consider using a glazing medium to enhance the atmospheric effect.

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oil painting for beginners →how to learn by studying the masters →
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