apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Spinnerskan
Spinnerskan by Elin Danielson-Gambogi

plate no. 8060

Spinnerskan

Elin Danielson-Gambogi

oilRealismgenre paintingfigureinteriorspinning wheelchairtextilesbasket
some experience helpful

Recreating this painting will help students develop skills in depicting realistic figures in an interior setting and understanding how to represent the textures of different materials using brushwork and color.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figure, spinning wheel, and other elements.

  2. step 02

    Block in the main shapes and colors using thin washes of paint, focusing on the overall value structure.

  3. step 03

    Develop the figure's form and details, paying attention to the light and shadow on the face and clothing.

  4. step 04

    Paint the spinning wheel, carefully rendering its intricate details and textures.

  5. step 05

    Add details to the background, including the textiles and furniture, using loose brushstrokes and subtle color variations.

  6. step 06

    Refine the lighting and shadows throughout the painting to create a sense of depth and atmosphere.

  7. step 07

    Add final details and highlights to enhance the realism and visual interest.

  8. step 08

    Let it dry and varnish.

color palette

primary · raw umber · titanium white · ivory black · burnt sienna

secondary · cadmium red · ultramarine blue · yellow ochre

Achieve the muted tones by mixing the primary colors with white and small amounts of secondary colors. Use glazes to create depth and luminosity.

techniques

  • ·blocking in
  • ·layering
  • ·glazing
  • ·scumbling
  • ·chiaroscuro

common pitfalls

  • →Getting the proportions of the figure or spinning wheel wrong.
  • →Overworking the details and losing the overall sense of atmosphere.
  • →Using colors that are too bright or saturated.
  • →Failing to create a convincing sense of depth and space.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy