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home·artworks·Spetssom
Spetssom by Anders Zorn

plate no. 4440

Spetssom

Anders Zorn, 1894

oil, canvasRealismgenre paintingfigureswomeninteriorclothingportraitdomestic life
some experience helpful

Recreating this painting will help students develop skills in capturing light and shadow on figures and creating a sense of depth through loose, expressive brushstrokes. It also provides practice in mixing subtle skin tones and capturing the essence of a scene rather than precise details.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition, focusing on the placement of the figures and the overall proportions.

  2. step 02

    Block in the main areas of color: the skin tones, the red dress, the background, and the dark hair, using thin washes of paint.

  3. step 03

    Start building up the values, focusing on the areas of light and shadow on the faces and clothing.

  4. step 04

    Use thicker paint and more visible brushstrokes to add detail and texture to the figures and the surrounding objects.

  5. step 05

    Pay attention to the edges of the forms, softening some and sharpening others to create a sense of depth.

  6. step 06

    Mix and apply subtle variations in color to create a sense of realism and visual interest.

  7. step 07

    Add final highlights and details to the faces and hands to bring the figures to life.

  8. step 08

    Step back and assess the painting, making any necessary adjustments to the composition, color, or value.

color palette

primary · titanium white · cadmium red · yellow ochre · burnt umber

secondary · ivory black · raw sienna

Mix skin tones using white, yellow ochre, a touch of red, and a small amount of burnt umber. Achieve the red dress color by mixing cadmium red with a touch of yellow ochre and burnt umber to deepen the tone. Use white to lighten values and burnt umber/black to darken them.

techniques

  • ·alla prima
  • ·broken color
  • ·scumbling
  • ·implied detail
  • ·limited palette

common pitfalls

  • →Overworking the painting and losing the loose, expressive brushstrokes.
  • →Getting bogged down in details and losing the overall impression.
  • →Not paying attention to the subtle shifts in color and value.
  • →Creating muddy colors by overmixing.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits

optional

  • ·painting medium (e.g., Liquin)
  • ·varnish
  • ·easel

Use a medium-grain canvas to allow for texture. Consider using a limited palette of colors to simplify the mixing process.

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oil painting for beginners →how to learn by studying the masters →
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