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home·artworks·Spat on the terrace
Spat on the terrace by Klavdy Lebedev

plate no. 0057

Spat on the terrace

Klavdy Lebedev

oilRealismgenre paintingfiguresterracelandscapearchitectureclothingfolklore
some experience helpful

Recreating this painting will help students develop skills in figure painting, particularly capturing expressions and gestures, as well as understanding atmospheric perspective in the background landscape. It also provides practice in rendering textures of clothing and architectural elements.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main figures and architectural structure, focusing on proportions and placement.

  2. step 02

    Establish the overall value structure with thin washes of color, paying attention to light and shadow.

  3. step 03

    Block in the main colors of the figures' clothing and the background landscape.

  4. step 04

    Begin refining the figures' features and clothing details, focusing on accurate color and value relationships.

  5. step 05

    Develop the background landscape, using lighter values and softer edges to create atmospheric perspective.

  6. step 06

    Add details to the architectural elements, such as the terrace railing and wooden beams.

  7. step 07

    Refine the highlights and shadows to create depth and dimension.

  8. step 08

    Add final details and adjust colors as needed to achieve a cohesive and harmonious composition.

color palette

primary · raw umber · titanium white · cadmium red light

secondary · yellow ochre · ultramarine blue · burnt sienna

Mix various shades of brown and gray by combining raw umber, ultramarine blue, and titanium white. Use cadmium red light and yellow ochre to create the warm tones in the figures' clothing and skin.

techniques

  • ·blocking in
  • ·layering
  • ·dry brushing
  • ·atmospheric perspective
  • ·figure drawing

common pitfalls

  • →Overworking details too early in the process.
  • →Ignoring the overall value structure.
  • →Using colors that are too saturated.
  • →Neglecting the importance of edges and transitions.
  • →Incorrect proportions of figures.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·#4 round brush
  • ·#6 flat brush
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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