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Spanish balcony by Filadelfo Simi

plate no. 6397

Spanish balcony

Filadelfo Simi, 1874

oil, canvasRealismcityscapebalconybuildingarchitecturewallplants
suitable for beginners

Recreating this painting will help students develop skills in observing subtle color variations in seemingly monochromatic subjects and understanding how light and shadow define form. It will also improve their ability to create a sense of depth and texture with relatively simple brushstrokes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the building and balcony, paying attention to proportions and perspective.

  2. step 02

    Block in the main areas of color: the sky, the wall, and the balcony structure, using thin washes.

  3. step 03

    Establish the darkest shadows on the balcony and the wall, using a mix of burnt umber and black.

  4. step 04

    Begin layering lighter tones on the wall, mixing white with small amounts of ochre and umber to create subtle variations.

  5. step 05

    Add details to the balcony, such as the railings, roof tiles, and the plants, using smaller brushes.

  6. step 06

    Refine the shadows and highlights to create a sense of depth and form.

  7. step 07

    Add final touches, such as texture to the wall and subtle color variations in the sky.

  8. step 08

    Let it dry and add a varnish layer.

color palette

primary · titanium white · burnt umber · raw sienna

secondary · ultramarine blue · ivory black · yellow ochre

Achieve the off-white wall color by mixing titanium white with small amounts of burnt umber, raw sienna, and a touch of ultramarine blue. Use varying ratios to create subtle tonal shifts. Mix darks with burnt umber and ivory black.

techniques

  • ·dry brushing
  • ·scumbling
  • ·glazing
  • ·color mixing
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Using too much pure white, resulting in a flat, lifeless wall.
  • →Neglecting the subtle color variations in the shadows.
  • →Failing to establish a strong sense of light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ultramarine blue oil paint
  • ·ivory black oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-grain canvas for a slightly textured surface. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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