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home·artworks·Southern Port with Figures and Ships
Southern Port with Figures and Ships by Abraham Storck

plate no. 2685

Southern Port with Figures and Ships

Abraham Storck

oilBaroquemarinashipsfiguresarchitecturewaterskyport
experienced study

Recreating this painting will help students develop skills in depicting atmospheric perspective and rendering complex scenes with numerous figures and architectural details. It also provides practice in glazing techniques to achieve depth and luminosity.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Prepare a toned canvas with a warm underpainting.

  2. step 02

    Sketch the basic composition, focusing on the placement of the architectural elements, ships, and figures.

  3. step 03

    Block in the large shapes of color, starting with the sky and water, then the buildings and ships.

  4. step 04

    Begin adding details to the architecture, using a small brush to define the columns and arches.

  5. step 05

    Paint the figures, paying attention to their proportions and gestures.

  6. step 06

    Develop the details of the ships, including the sails, rigging, and flags.

  7. step 07

    Glaze layers of color to create depth and atmospheric perspective.

  8. step 08

    Add final highlights and shadows to enhance the sense of realism.

color palette

primary · raw umber · titanium white · ultramarine blue

secondary · yellow ochre · burnt sienna · cadmium red light

Achieve the muted tones by mixing the primary colors with white and small amounts of secondary colors. Use thin glazes of burnt sienna and raw umber to create warm shadows.

techniques

  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·figure drawing
  • ·linear perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong sense of atmospheric perspective.
  • →Inaccurate proportions of the figures and ships.
  • →Using colors that are too saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·burnt sienna oil paint
  • ·round brushes (sizes 0, 2, 4, 6)
  • ·linseed oil
  • ·turpentine

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. A medium-tooth canvas will provide a good surface for layering and glazing.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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