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home·artworks·Song of the Lark (also known as In the Field)
Song of the Lark (also known as In the Field) by Winslow Homer

plate no. 3102

Song of the Lark (also known as In the Field)

Winslow Homer

oil, canvasRealismgenre paintingfigurefieldskytreeshatscythe
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective, particularly in rendering the sky and distant trees, as well as creating texture in the field using layering and dry brushing.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, trees, and horizon line.

  2. step 02

    Establish the overall color scheme with a thin wash of burnt umber and raw sienna.

  3. step 03

    Block in the sky with light blues, yellows, and whites, blending softly to create cloud formations.

  4. step 04

    Paint the distant trees with dark greens and browns, softening the edges to suggest depth.

  5. step 05

    Begin layering the field with various shades of brown, yellow, and green, using short, broken brushstrokes to create texture.

  6. step 06

    Add details to the figure, paying attention to the light and shadow on the face and clothing.

  7. step 07

    Refine the details in the field, adding highlights and shadows to individual blades of grass.

  8. step 08

    Add final touches, such as small flowers and subtle variations in color.

color palette

primary · burnt umber · raw sienna · titanium white · ultramarine blue

secondary · yellow ochre · sap green · cadmium yellow

Mix various shades of brown and green by combining burnt umber, raw sienna, yellow ochre, and ultramarine blue. Use white to lighten colors and create highlights.

techniques

  • ·atmospheric perspective
  • ·dry brushing
  • ·layering
  • ·scumbling
  • ·blending

common pitfalls

  • →Overworking the details in the field, resulting in a flat and lifeless appearance.
  • →Failing to create a sense of depth in the sky and trees.
  • →Using colors that are too saturated, resulting in an unrealistic and jarring effect.
  • →Ignoring the subtle variations in color and value throughout the painting.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints (burnt umber, raw sienna, titanium white, ultramarine blue, yellow ochre, sap green)
  • ·assorted brushes (round, flat, filbert)
  • ·palette
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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