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home·artworks·Somewhere In America
Somewhere In America by Robert Brackman

plate no. 1668

Somewhere In America

Robert Brackman, 1934

oilRealismportraitportraitgirlstill lifefruittableclothtoy
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and skin tones, as well as understanding how to create a sense of depth through layering and color variation.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the main shapes: the girl, the chair, the tablecloth, and the fruit.

  2. step 02

    Block in the main color areas using thin washes of color, focusing on the overall tones.

  3. step 03

    Begin layering in the skin tones, paying attention to the subtle variations in color and value.

  4. step 04

    Develop the details of the dress and the toy, adding highlights and shadows to create form.

  5. step 05

    Work on the tablecloth, carefully rendering the pattern and its folds.

  6. step 06

    Paint the fruit, focusing on capturing their individual colors and textures.

  7. step 07

    Refine the background and the chair, adding details and adjusting values as needed.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · ultramarine blue · burnt sienna · titanium white

secondary · cadmium red · yellow ochre · raw umber

Mix various shades of blue and white for the dress. Use burnt sienna and white with touches of red and yellow for the skin tones. Achieve the tablecloth's red by mixing cadmium red with white, and use raw umber to tone it down.

techniques

  • ·layering
  • ·blending
  • ·scumbling
  • ·color mixing
  • ·portraiture

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to accurately capture the proportions of the figure.
  • →Creating muddy colors by overmixing.
  • →Ignoring the subtle variations in skin tone.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·color wheel
  • ·painting varnish

Use a medium-grain canvas for best results. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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