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home·artworks·Solnedgång
Solnedgång by Elin Danielson-Gambogi

plate no. 2451

Solnedgång

Elin Danielson-Gambogi, 1905

oilRealismlandscapetreeslandscapefoliagesunsetpathvegetation
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and atmosphere, as well as capturing the subtle light effects of a sunset. It also provides practice in rendering complex foliage with varied brushstrokes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees and the path.

  2. step 02

    Establish the sky and distant landscape with thin washes of color.

  3. step 03

    Block in the main shapes of the trees and foliage with darker greens and browns.

  4. step 04

    Begin layering lighter greens and yellows to create highlights and variations in the foliage.

  5. step 05

    Add details to the tree trunks and branches, using a smaller brush.

  6. step 06

    Refine the path with subtle variations in color and texture.

  7. step 07

    Pay attention to the light filtering through the trees, adding highlights where appropriate.

  8. step 08

    Add final details and adjust values to create a sense of depth and atmosphere.

color palette

primary · sap green · yellow ochre · ultramarine blue · burnt umber

secondary · titanium white · cadmium yellow · alizarin crimson

Mix greens by combining blues and yellows, and use white to lighten the values. Create the sunset colors by blending yellows, reds, and a touch of blue.

techniques

  • ·layering
  • ·dry brushing
  • ·scumbling
  • ·atmospheric perspective
  • ·broken color

common pitfalls

  • →Overworking the details in the foliage, resulting in a flat and lifeless appearance.
  • →Failing to create a sense of depth and atmosphere in the distant landscape.
  • →Using too much pure color without mixing, leading to a harsh and unnatural look.
  • →Ignoring the subtle variations in light and shadow, resulting in a flat and unconvincing painting.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 inches)
  • ·oil paints (sap green, yellow ochre, ultramarine blue, burnt umber, titanium white)
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·medium gloss
  • ·easel
  • ·painting rags

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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