apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Soldat Convalescent Assis
Soldat Convalescent Assis by Theophile Steinlen

plate no. 0390

Soldat Convalescent Assis

Theophile Steinlen, 1916

oilRealismgenre paintingfiguresoldierbenchcoatbeardhat
some experience helpful

Recreating this painting will help students practice capturing a figure's pose and drapery with loose brushstrokes. It also provides an opportunity to study limited color palettes and create a sense of depth through subtle value changes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure and the bench.

  2. step 02

    Block in the background with a thin wash of muted greens and grays.

  3. step 03

    Establish the main values of the figure's coat and hat using a mix of browns and blues.

  4. step 04

    Add details to the face, focusing on capturing the light and shadow.

  5. step 05

    Define the folds and creases in the coat with darker values.

  6. step 06

    Paint the bench and the surrounding area, paying attention to the light and shadow.

  7. step 07

    Refine the details and add highlights to create a sense of depth.

  8. step 08

    Add final touches and adjust values as needed.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · ultramarine blue · yellow ochre

Mix browns by combining burnt umber and raw sienna. Muted greens can be achieved by mixing yellow ochre and ultramarine blue with white. Use white to lighten values and create highlights.

techniques

  • ·dry brushing
  • ·scumbling
  • ·limited palette
  • ·figure drawing
  • ·drapery study

common pitfalls

  • →Overworking the details and losing the loose, expressive brushstrokes.
  • →Failing to establish a clear value structure.
  • →Using colors that are too saturated.
  • →Ignoring the subtle variations in tone and color.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·#4 round brush
  • ·#8 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-textured canvas to allow for expressive brushstrokes. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy