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home·artworks·Sobborgo Di Porta Adriana a Ravenna
Sobborgo Di Porta Adriana a Ravenna by Telemaco Signorini

plate no. 5028

Sobborgo Di Porta Adriana a Ravenna

Telemaco Signorini, 1875

oilRealismcityscapecityscapebuildingsfiguresstreetskyarchitecture
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering figures in a landscape. It also provides practice in creating a sense of depth and distance through color and value changes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the perspective lines of the street and buildings.

  2. step 02

    Establish the horizon line and vanishing point.

  3. step 03

    Block in the main shapes of the buildings and figures with thin washes of color.

  4. step 04

    Gradually build up the values, starting with the darkest areas and working towards the lightest.

  5. step 05

    Add details to the buildings and figures, paying attention to the light and shadow.

  6. step 06

    Create atmospheric perspective by softening the edges and lightening the colors of distant objects.

  7. step 07

    Add highlights and final details to create a sense of realism.

  8. step 08

    Refine the brushwork to match the original painting's loose, impressionistic style.

color palette

primary · raw umber · titanium white · yellow ochre

secondary · burnt sienna · ultramarine blue · cadmium yellow

Achieve the muted tones by mixing the primary colors with white and small amounts of the secondary colors. Use ultramarine blue to create cooler grays for the sky and distant buildings.

techniques

  • ·atmospheric perspective
  • ·broken color
  • ·scumbling
  • ·dry brushing
  • ·alla prima

common pitfalls

  • →Overworking the details
  • →Ignoring the perspective lines
  • →Using colors that are too bright or saturated
  • →Failing to create a sense of depth
  • →Not capturing the loose brushwork

materials

surface · stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Oil paints
  • ·Palette
  • ·Assorted brushes (round and flat)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·Medium (e.g., Liquin)
  • ·Varnish

Use a limited palette to simplify the color mixing process. Consider using a toned canvas to create a more unified color scheme.

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