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home·artworks·Snelandskab
Snelandskab by Hans Andersen Brendekilde

plate no. 2286

Snelandskab

Hans Andersen Brendekilde

oilRealismlandscapesnowlandscapebuildingswindmillskytrees
some experience helpful

Recreating this painting will help students understand color temperature in shadows and how to create depth using atmospheric perspective. It also provides practice in rendering simple architectural forms and snow textures.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to the placement of the buildings, windmill, and horizon line.

  2. step 02

    Establish the sky with a base layer of blue, blending in lighter tones for the clouds.

  3. step 03

    Block in the large areas of snow, using a mix of white and blue, and varying the tones to create depth.

  4. step 04

    Paint the buildings, starting with the base colors and adding details like windows and doors.

  5. step 05

    Add the windmill, focusing on its structure and the way light hits its surfaces.

  6. step 06

    Paint the trees and figures, using simplified shapes and muted colors.

  7. step 07

    Refine the details in the snow, adding shadows and highlights to create texture and form.

  8. step 08

    Add final touches and adjust values as needed to create a cohesive and atmospheric painting.

color palette

primary · titanium white · ultramarine blue · yellow ochre

secondary · burnt umber · raw sienna · payne's grey

Mix white with blue and a touch of umber for the snow shadows. Use yellow ochre and burnt umber for the buildings, adjusting the mix for highlights and shadows. Create the sky by blending ultramarine blue with white and a touch of grey.

techniques

  • ·color mixing
  • ·atmospheric perspective
  • ·scumbling
  • ·layering
  • ·value control

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Ignoring the subtle color variations in the snow.
  • →Making the buildings too detailed and distracting from the overall composition.
  • →Failing to create a sense of depth and atmosphere.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium (e.g. Liquin)
  • ·easel

Use a limited palette to simplify color mixing. Consider using a medium to speed up drying time.

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oil painting for beginners →how to learn by studying the masters →
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