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home·artworks·Smolny as seen from Bolshaya Okhta
Smolny as seen from Bolshaya Okhta by Alexey  Bogolyubov

plate no. 1388

Smolny as seen from Bolshaya Okhta

Alexey Bogolyubov, 1870

oilRealismcityscaperiverbuildingsboatsskyfigurecityscape
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing reflections in water. It also provides practice in rendering architectural details and figures in a landscape.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and the placement of major elements like the buildings and boats.

  2. step 02

    Block in the sky with a light, blended wash, establishing the overall atmospheric perspective.

  3. step 03

    Establish the base color of the water, paying attention to the subtle variations in tone and reflection.

  4. step 04

    Paint the distant buildings and trees, using muted colors and soft edges to create depth.

  5. step 05

    Add the boats and figures, focusing on accurate proportions and details.

  6. step 06

    Develop the foreground with details of the shoreline and vegetation.

  7. step 07

    Refine the reflections in the water, using vertical strokes and slightly darker values.

  8. step 08

    Add final highlights and details to bring the painting to life.

color palette

primary · titanium white · ultramarine blue · burnt umber · yellow ochre

secondary · cadmium yellow · alizarin crimson · viridian

Achieve the muted tones by mixing complementary colors and adding white. Use ultramarine and burnt umber to create grays for the buildings and sky.

techniques

  • ·atmospheric perspective
  • ·wet-on-wet blending
  • ·scumbling
  • ·rendering reflections
  • ·linear perspective

common pitfalls

  • →overworking the details in the background
  • →making the reflections too symmetrical
  • →using colors that are too saturated
  • →incorrect proportions of the buildings

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·#2 round brush
  • ·#6 flat brush
  • ·#10 filbert brush
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use a medium-tooth canvas for better texture. Consider using a toned canvas to speed up the painting process.

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oil painting for beginners →how to learn by studying the masters →
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