apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Smoking Painter
Smoking Painter by Pieter Codde

plate no. 6578

Smoking Painter

Pieter Codde

oilBaroquegenre paintingfigurepaintereaselchairinteriorsmoking
some experience helpful

Recreating this painting will help students understand how to render realistic figures in a dimly lit environment and how to create depth using subtle value changes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and composition, paying attention to proportions.

  2. step 02

    Establish the background with a thin layer of muted browns and greens.

  3. step 03

    Block in the main shapes of the figure, easel, and chairs using darker values.

  4. step 04

    Begin refining the figure's features and clothing, adding highlights and shadows.

  5. step 05

    Develop the details of the easel, chairs, and other objects in the scene.

  6. step 06

    Mix and apply subtle color variations to create a sense of depth and atmosphere.

  7. step 07

    Add final highlights and details to enhance the realism of the painting.

  8. step 08

    Glaze with thin layers to unify the colors and create a sense of depth.

color palette

primary · burnt umber · ivory black · titanium white

secondary · yellow ochre · raw sienna · cadmium red light

Achieve the muted tones by mixing browns and blacks with small amounts of white and ochre. Use red for subtle warmth in the skin tones and chair cushion.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·underpainting
  • ·portraiture

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too bright or saturated.
  • →Ignoring the subtle shifts in color temperature.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a canvas with a smooth texture to facilitate blending and glazing. Consider using a toned canvas to speed up the painting process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne