
plate no. 9648
Le Nain brothers, 1643
Recreating this painting will help students understand chiaroscuro and how to depict figures in low light conditions. It also provides practice in rendering different textures and fabrics.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on the placement of the figures and the table.
Establish the darkest and lightest areas to create the dramatic lighting effect.
Block in the main colors of the figures' clothing and the background.
Begin layering and blending the colors to create depth and form.
Pay close attention to the subtle gradations of light and shadow on the faces and hands.
Add details to the clothing, such as the lace collars and the folds in the fabric.
Refine the details of the table and the objects on it.
Add final highlights and shadows to enhance the sense of realism.
color palette
primary · burnt umber · raw sienna · ivory black · titanium white
secondary · cadmium red · yellow ochre
Use burnt umber and ivory black to create the dark shadows. Mix raw sienna and titanium white for the lighter areas. Add small amounts of cadmium red and yellow ochre to warm up the skin tones and fabrics.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. A medium-sized canvas (16x20 or 18x24) is recommended.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Girl with a Straw Hat
Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten
Abraham Storck

Bathsheba Bathing
Francesco Solimena

Repentant Peter
Guido Reni

Itinerant Musicians
Jacob Ochtervelt

Marie Christine
Marcello Bacciarelli

Santa Cecilia E Due Angeli
Giulio Cesare Procaccini

Scene from the Life of Saint Benedict
Philippe de Champaigne