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home·artworks·Små Handarbetare
Små Handarbetare by Elin Danielson-Gambogi

plate no. 8568

Små Handarbetare

Elin Danielson-Gambogi, 1915

oilRealismgenre paintingfigurestablechairsgardenfoliagebasket
some experience helpful

Recreating this painting will help students develop skills in depicting figures in a natural setting and understanding the effects of light and shadow on various forms. It also provides practice in rendering textures and details with visible brushstrokes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the composition, focusing on the placement of the figures, table, and chairs.

  2. step 02

    Block in the large shapes and areas of color, paying attention to the overall value structure.

  3. step 03

    Develop the background foliage and the wall, using broken color and varied brushstrokes to create texture.

  4. step 04

    Refine the figures, focusing on the details of their faces, hands, and clothing.

  5. step 05

    Add details to the table and chairs, including the basket and the coat draped over the chair.

  6. step 06

    Adjust the lighting and shadows to create depth and dimension.

  7. step 07

    Add final highlights and details to enhance the realism of the painting.

  8. step 08

    Step back and assess the overall balance and harmony of the painting, making any necessary adjustments.

color palette

primary · titanium white · ultramarine blue · burnt umber · yellow ochre

secondary · cadmium red light · viridian · raw sienna · ivory black

Achieve the skin tones by mixing white, yellow ochre, and a touch of red. Use ultramarine blue and burnt umber to create various shades of gray for the table and chairs. Mix greens for the foliage using viridian, yellow ochre, and white.

techniques

  • ·broken color
  • ·scumbling
  • ·alla prima
  • ·chiaroscuro
  • ·impasto

common pitfalls

  • →Overworking the details, which can lead to a stiff and unnatural look.
  • →Failing to establish a strong value structure, which can result in a flat and lifeless painting.
  • →Ignoring the effects of light and shadow, which can diminish the sense of depth and dimension.
  • →Not paying attention to the proportions of the figures and objects.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·#4 round brush
  • ·#6 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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