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home·artworks·Sketch of the holm oak
Sketch of the holm oak by Giovanni Fattori

plate no. 7154

Sketch of the holm oak

Giovanni Fattori, 1900

oil, panelRealismlandscapetreeslandscapewoodsfoliagetrunkgrass
some experience helpful

Recreating this painting will help students develop skills in layering paint to create depth and texture, and in using a limited palette to achieve color harmony. It's also a good exercise in capturing the essence of a scene rather than precise detail.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the trees and the horizon line with a light pencil.

  2. step 02

    Apply a thin, warm-toned underpainting (e.g., burnt sienna) to the entire canvas.

  3. step 03

    Block in the main areas of color: dark browns for the tree trunks, greens for the foliage and grass, and lighter tones for the sky peeking through.

  4. step 04

    Start building up layers of paint, focusing on the variations in color and value within each area.

  5. step 05

    Use short, broken brushstrokes to create texture in the foliage and grass.

  6. step 06

    Add highlights to the tree trunks and foliage to create a sense of light and shadow.

  7. step 07

    Refine the details of the composition, paying attention to the relationships between the different elements.

  8. step 08

    Add final touches and adjust colors as needed to achieve the desired effect.

color palette

primary · burnt umber · yellow ochre · titanium white

secondary · sap green · raw sienna

Mix greens by combining yellow ochre and sap green. Use burnt umber and white for the tree trunks, adjusting the ratio for highlights and shadows. Add a touch of raw sienna to warm up the browns and greens.

techniques

  • ·dry brush texture
  • ·broken color
  • ·layering
  • ·scumbling
  • ·alla prima

common pitfalls

  • →Overblending the colors, resulting in a muddy appearance.
  • →Focusing too much on detail and losing the overall impression.
  • →Using too much paint in the initial layers.
  • →Not paying attention to the values, resulting in a flat image.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·sap green oil paint
  • ·round brushes
  • ·flat brushes
  • ·palette

optional

  • ·raw sienna oil paint
  • ·linseed oil
  • ·palette knife
  • ·painting medium

A smaller canvas size (e.g., 9x12 or 11x14) is recommended for beginners. Use artist-grade oil paints for best results.

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related guides

oil painting for beginners →how to learn by studying the masters →
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