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home·artworks·Skating near a Town
Skating near a Town by Hendrick Avercamp

plate no. 2321

Skating near a Town

Hendrick Avercamp, 1620

canvas, oilBaroquelandscapefiguresicebuildingsskytreeslandscape
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering figures in a landscape setting. It also provides practice in creating subtle color variations to depict a winter scene.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the tower, figures, and horizon line.

  2. step 02

    Establish the sky with a light, muted color, blending it smoothly.

  3. step 03

    Block in the large shapes of the buildings and the ice surface with their base colors.

  4. step 04

    Add details to the tower, including brickwork and shadows.

  5. step 05

    Begin painting the figures, starting with the larger ones in the foreground and working towards the background.

  6. step 06

    Develop the details of the ice, adding reflections and variations in tone.

  7. step 07

    Paint the bare trees and branches, using thin, delicate brushstrokes.

  8. step 08

    Add final highlights and details to the figures and landscape.

color palette

primary · titanium white · raw umber · burnt sienna · Prussian blue

secondary · yellow ochre · ivory black · cadmium red light

Mix white with small amounts of umber and blue to create the cool tones of the sky and ice. Use burnt sienna and umber for the tower, adding white for highlights. Mix small amounts of red and yellow into the other colors to create subtle variations.

techniques

  • ·atmospheric perspective
  • ·scumbling
  • ·glazing
  • ·broken color
  • ·rendering figures

common pitfalls

  • →Overworking the details in the background, which should be more muted.
  • →Making the figures too uniform in color and shape.
  • →Creating too much contrast, which can flatten the image.
  • →Failing to establish a clear sense of depth.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·Prussian blue oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brush (size 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits

Use a fine-grained canvas to allow for detailed brushwork. Consider using a toned canvas to establish a base color and simplify the painting process.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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