apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Sir Thomas Martineau
Sir Thomas Martineau by Frank Holl

plate no. 6889

Sir Thomas Martineau

Frank Holl, 1887

oil, canvasRealismportraitportraitfiguremanbeardclothingformal
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and creating depth through subtle value changes. It also provides practice in rendering realistic textures, such as the beard and clothing.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the overall composition, focusing on proportions and placement of the figure.

  2. step 02

    Block in the main shapes with thin washes of color, paying attention to the overall value structure.

  3. step 03

    Start refining the facial features, focusing on accurate placement and proportions of the eyes, nose, and mouth.

  4. step 04

    Develop the beard, using layers of light and dark tones to create texture and volume.

  5. step 05

    Work on the clothing, paying attention to the folds and shadows to create a sense of depth.

  6. step 06

    Refine the background, ensuring it remains dark and does not distract from the figure.

  7. step 07

    Add final details and highlights to enhance the realism of the portrait.

  8. step 08

    Glaze with thin layers to unify the colors and create a sense of atmosphere.

color palette

primary · ivory black · raw umber · titanium white · burnt sienna

secondary · cadmium red light · yellow ochre

Mix various shades of gray and brown by combining ivory black, raw umber, and titanium white. Use small amounts of burnt sienna and yellow ochre to add warmth to the skin tones. Mix cadmium red light with burnt sienna to create the red color of the tie.

techniques

  • ·portraiture
  • ·value studies
  • ·glazing
  • ·blending
  • ·chiaroscuro

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the details too early in the process.
  • →Making the background too light or distracting.
  • →Failing to capture the likeness of the subject.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·burnt sienna oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy