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home·artworks·Sir Thomas Aylesbury
Sir Thomas Aylesbury by William Dobson

plate no. 8008

Sir Thomas Aylesbury

William Dobson, 1646

oilBaroqueportraitportraitfigurebuildinglandscapebustdocument
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as understanding how to create depth and atmosphere with a limited palette.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, bust, and background elements.

  2. step 02

    Block in the main areas of color, starting with the darkest values and working towards the lighter ones.

  3. step 03

    Refine the facial features, paying close attention to the proportions and subtle variations in skin tone.

  4. step 04

    Develop the details of the clothing, including the collar and the folds of the fabric.

  5. step 05

    Add the details of the bust and the background landscape, focusing on creating a sense of depth.

  6. step 06

    Work on the document in the figure's hand, capturing the texture and the subtle variations in tone.

  7. step 07

    Adjust the overall values and colors to create a cohesive and harmonious composition.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · ivory black · raw umber · titanium white · burnt sienna

secondary · ultramarine blue · yellow ochre · cadmium red light

Achieve skin tones by mixing white, burnt sienna, and a touch of red and yellow. Use ultramarine blue and black to create the dark tones of the clothing. Mix raw umber and white for the bust.

techniques

  • ·portraiture
  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·blending

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the details and losing the overall sense of unity.
  • →Failing to create a convincing sense of depth.
  • →Making the dark areas too flat and lifeless.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·burnt sienna oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium alkyd
  • ·varnish

Use high-quality oil paints for best results. Consider using a medium to speed up the drying time.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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