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Sir Robert Clayton by John Riley

plate no. 4794

Sir Robert Clayton

John Riley

oilBaroqueportraitportraitfigurerobechairhairhistorical
experienced study

Recreating this painting will help students develop skills in portraiture, particularly in rendering skin tones and drapery folds. It also provides practice in creating a sense of depth and atmosphere through subtle value changes.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the figure's pose and the main shapes of the robe and chair.

  2. step 02

    Block in the background with a dark, neutral color.

  3. step 03

    Establish the basic skin tones on the face and hands, focusing on the highlights and shadows.

  4. step 04

    Begin layering the colors of the robe, paying attention to the folds and highlights.

  5. step 05

    Add details to the hair, using thin brushes to create individual strands.

  6. step 06

    Refine the details of the chair and other elements, such as the jewelry.

  7. step 07

    Adjust the values and colors throughout the painting to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · burnt umber · cadmium red · ivory black · titanium white

secondary · yellow ochre · raw sienna

Mix various shades of red by combining cadmium red with burnt umber and ivory black. Create skin tones by mixing titanium white, yellow ochre, and a touch of cadmium red. Use burnt umber and ivory black to create the dark background and shadows.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture
  • ·drapery painting

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Failing to establish a strong value structure.
  • →Getting lost in details too early in the process.
  • →Ignoring the subtle color variations in the skin tones and drapery.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints (burnt umber, cadmium red, ivory black, titanium white, yellow ochre, raw sienna)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife

optional

  • ·retouch varnish
  • ·medium (e.g., Liquin)

Use high-quality oil paints for best results. Consider using a pre-primed canvas to save time.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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