
plate no. 5131
John Riley, 1666
Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as practice depicting complex textures like metal and fabric.
technical profile
approach — 8 steps
Begin with a light sketch of the overall composition, focusing on proportions and placement of the figure.
Block in the main shapes and areas of color, paying attention to the overall value structure.
Start refining the facial features, focusing on accurate proportions and subtle value changes.
Work on the armor, using highlights and shadows to create a sense of depth and form.
Add details to the clothing and drapery, paying attention to folds and textures.
Refine the background, ensuring it complements the figure without distracting from it.
Add final highlights and details to the face, armor, and clothing.
Glaze with thin layers of color to unify the painting and create depth.
color palette
primary · ivory black · raw umber · burnt sienna · titanium white
secondary · cadmium red · yellow ochre
Mix various shades of brown and gray by combining the primary colors. Use white to create highlights and black to deepen shadows. Add small amounts of red and yellow to warm up the skin tones.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. Consider using a medium to thin the paints and improve flow.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Girl with a Straw Hat
Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten
Abraham Storck

Bathsheba Bathing
Francesco Solimena

Repentant Peter
Guido Reni

Itinerant Musicians
Jacob Ochtervelt

Marie Christine
Marcello Bacciarelli

Santa Cecilia E Due Angeli
Giulio Cesare Procaccini

Scene from the Life of Saint Benedict
Philippe de Champaigne