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Sir John Pole by John Riley

plate no. 5131

Sir John Pole

John Riley, 1666

oilBaroqueportraitportraitarmorfigureclothingdraperysword
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as practice depicting complex textures like metal and fabric.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch of the overall composition, focusing on proportions and placement of the figure.

  2. step 02

    Block in the main shapes and areas of color, paying attention to the overall value structure.

  3. step 03

    Start refining the facial features, focusing on accurate proportions and subtle value changes.

  4. step 04

    Work on the armor, using highlights and shadows to create a sense of depth and form.

  5. step 05

    Add details to the clothing and drapery, paying attention to folds and textures.

  6. step 06

    Refine the background, ensuring it complements the figure without distracting from it.

  7. step 07

    Add final highlights and details to the face, armor, and clothing.

  8. step 08

    Glaze with thin layers of color to unify the painting and create depth.

color palette

primary · ivory black · raw umber · burnt sienna · titanium white

secondary · cadmium red · yellow ochre

Mix various shades of brown and gray by combining the primary colors. Use white to create highlights and black to deepen shadows. Add small amounts of red and yellow to warm up the skin tones.

techniques

  • ·portraiture
  • ·chiaroscuro
  • ·glazing
  • ·rendering metal
  • ·fabric depiction

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the details too early in the process.
  • →Making the armor look flat and unrealistic.
  • →Failing to create a sense of depth and atmosphere.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a medium to thin the paints and improve flow.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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