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home·artworks·Sir Humphry Davy Rolleston, Seated, Holding a Mace
Sir Humphry Davy Rolleston, Seated, Holding a Mace by George Henry

plate no. 4374

Sir Humphry Davy Rolleston, Seated, Holding a Mace

George Henry, 1925

oilRealismportraitportraitfigureclothingmaceformal wearman
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones. It also offers practice in painting complex textures and drapery.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the figure's pose and proportions.

  2. step 02

    Block in the main shapes and colors of the background, figure, and clothing.

  3. step 03

    Establish the basic skin tones and facial features.

  4. step 04

    Begin layering and blending colors to refine the skin tones and add depth.

  5. step 05

    Work on the details of the clothing, paying attention to the folds and highlights.

  6. step 06

    Add the details of the mace, focusing on its metallic appearance.

  7. step 07

    Refine the overall composition, adjusting values and colors as needed.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · ivory black · raw umber · burnt sienna · cadmium yellow

secondary · alizarin crimson · ultramarine blue

Mix various shades of brown and gray for the background. Use yellow and burnt sienna with touches of black and white to create the gold tones. Mix alizarin crimson with white for the skin tones, adding touches of yellow and blue for variation.

techniques

  • ·portrait painting
  • ·glazing
  • ·blending
  • ·color mixing
  • ·rendering textures

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the skin tones and losing the freshness.
  • →Failing to capture the likeness of the subject.
  • →Making the gold too bright and unrealistic.

materials

surface · stretched canvas

required

  • ·Stretched canvas 16x20
  • ·Oil paints (ivory black, raw umber, burnt sienna, cadmium yellow, alizarin crimson, ultramarine blue, titanium white)
  • ·Assorted brushes (round and flat)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits
  • ·Linseed oil
  • ·Rags

optional

  • ·Medium gloss
  • ·Retouch varnish

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for blending and layering.

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related guides

oil painting for beginners →how to learn by studying the masters →
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