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home·artworks·Sir Harbottle Grimston, Speaker
Sir Harbottle Grimston, Speaker by John Riley

plate no. 4586

Sir Harbottle Grimston, Speaker

John Riley

oilBaroqueportraitfigureportraitclothingchairtablescroll
some experience helpful

This painting helps develop skills in portraiture, including capturing likeness and rendering realistic fabric textures. Students will also learn about creating depth and atmosphere through subtle value changes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, chair, and table.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber.

  3. step 03

    Block in the main areas of color: the dark clothing, the flesh tones, and the background.

  4. step 04

    Refine the facial features, paying close attention to the light and shadow.

  5. step 05

    Add details to the clothing, including the gold trim and the folds in the fabric.

  6. step 06

    Render the hands and the scroll, focusing on accurate anatomy and form.

  7. step 07

    Adjust the values and colors to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · burnt umber · ivory black · titanium white · cadmium red light

secondary · yellow ochre · raw sienna · ultramarine blue

Mix various shades of brown and black by combining burnt umber, ivory black, and small amounts of ultramarine blue. Use yellow ochre and raw sienna to create the gold tones in the clothing. Add small amounts of cadmium red to the flesh tones for warmth.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·fabric rendering

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth and atmosphere.
  • →Not paying enough attention to the light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (burnt umber, ivory black, titanium white, cadmium red light, yellow ochre, raw sienna, ultramarine blue)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for painting.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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