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home·artworks·Sinews of Old England
Sinews of Old England by George Elgar Hicks

plate no. 1674

Sinews of Old England

George Elgar Hicks, 1857

oilRealismportraitfiguresfamilygardenarchitecturefoliagetools
experienced study

Recreating this painting will help students develop skills in portraiture, figure drawing, and rendering realistic textures like fabric and foliage. It also provides practice in creating depth through atmospheric perspective and subtle value changes.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures and background.

  2. step 02

    Block in the main shapes and colors, focusing on the overall value structure.

  3. step 03

    Develop the background elements, such as the foliage and brickwork, paying attention to detail and texture.

  4. step 04

    Refine the figures, starting with the faces and hands, and then moving on to the clothing and accessories.

  5. step 05

    Add highlights and shadows to create depth and dimension.

  6. step 06

    Pay attention to the subtle color variations in the skin tones and fabrics.

  7. step 07

    Add final details, such as the texture of the ground and the details of the tools.

  8. step 08

    Glaze with thin layers of color to unify the painting and create a sense of atmosphere.

color palette

primary · yellow ochre · ultramarine blue · burnt umber · titanium white

secondary · cadmium red · sap green · raw sienna

Mix various shades of skin tones using yellow ochre, burnt umber, cadmium red, and titanium white. Achieve the greens by mixing ultramarine blue and yellow ochre, adjusting the ratio for different shades. Create the blue of the man's vest by mixing ultramarine blue with a touch of burnt umber to tone it down.

techniques

  • ·portraiture
  • ·figure drawing
  • ·glazing
  • ·scumbling
  • ·atmospheric perspective

common pitfalls

  • →Incorrect proportions of the figures
  • →Overworking the details
  • →Failing to create a sense of depth
  • →Inaccurate color mixing
  • →Ignoring the subtle value changes

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·#2 round brush
  • ·#6 flat brush
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a medium to thin the paints and improve flow. A toned canvas can help establish the overall value structure.

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oil painting for beginners →how to learn by studying the masters →
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