
plate no. 3010
Hans Heysen, 1910
Recreating this painting will help students develop skills in layering washes to create depth and capturing the subtle light and shadow on organic forms like trees. It also provides practice in creating atmospheric perspective to suggest distance.
technical profile
approach — 8 steps
Lightly sketch the main shapes: trees, horizon line, and foreground elements.
Apply a light wash of diluted yellow ochre and raw sienna to the entire paper as a base tone.
Begin layering washes for the sky, using diluted blues and purples, allowing some white paper to show through for clouds.
Paint the distant hills with a muted mix of blues, purples, and browns, using lighter values for areas further away.
Start building up the tree trunks with layers of raw umber, burnt sienna, and white, paying attention to the light and shadow.
Add details to the foliage using a mix of greens, yellows, and browns, varying the intensity and value.
Develop the foreground with layers of browns, yellows, and greens, adding details like rocks and grasses.
Add final highlights and shadows to enhance the form and create depth.
color palette
primary · raw umber · burnt sienna · yellow ochre · titanium white
secondary · cerulean blue · ultramarine blue · purple
Achieve the muted tones by mixing complementary colors (e.g., blue and orange) and diluting the paint with water. Use white sparingly to create highlights and lighter values.
techniques
common pitfalls
surface · watercolor paper 140lb
required
optional
Use high-quality watercolor paper to prevent buckling and allow for multiple washes. Experiment with different brush sizes to achieve varying levels of detail.
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