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home·artworks·Ships on a quay
Ships on a quay by Johan Hendrik Weissenbruch

plate no. 1321

Ships on a quay

Johan Hendrik Weissenbruch

oilRealismlandscapeshipswaterbuildingsskytreesfigures
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering reflections in water. It also provides practice in depicting complex shapes like ships with simplified forms.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and placement of major elements (buildings, ships).

  2. step 02

    Block in the sky with light blue and white, creating subtle cloud variations.

  3. step 03

    Establish the base colors for the water, using browns and grays, and indicate the general areas of reflections.

  4. step 04

    Paint the buildings and trees on the left side, focusing on their overall shapes and values.

  5. step 05

    Begin adding details to the ships, starting with the hulls and masts, then the sails and rigging.

  6. step 06

    Refine the water reflections, paying attention to the shapes and colors of the reflected objects.

  7. step 07

    Add figures and small boats to create a sense of scale and activity.

  8. step 08

    Make final adjustments to values and details to create a cohesive and atmospheric painting.

color palette

primary · ultramarine blue · burnt umber · titanium white

secondary · yellow ochre · raw sienna · ivory black

Mix various shades of gray and brown by combining burnt umber, ultramarine blue, and white. Use yellow ochre and raw sienna to add warmth to the buildings and trees.

techniques

  • ·atmospheric perspective
  • ·rendering reflections
  • ·layering
  • ·blending
  • ·scumbling

common pitfalls

  • →Overworking the details in the ships, losing the overall atmospheric effect.
  • →Making the reflections too bright or too sharp, disrupting the illusion of water.
  • →Ignoring the subtle color variations in the sky and water.
  • →Creating harsh lines and edges, rather than soft transitions.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 inches)
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium (e.g., Liquin)
  • ·easel
  • ·view finder

Use a medium-tooth canvas for better texture. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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