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home·artworks·Ships off the coast
Ships off the coast by Willem van de Velde the Younger

plate no. 9333

Ships off the coast

Willem van de Velde the Younger

oilBaroquemarinashipsseacloudsfiguresskyboats
some experience helpful

Recreating this painting will develop skills in atmospheric perspective, color mixing for subtle variations in sky and water, and rendering reflections. It also provides practice in depicting complex shapes like ships and sails.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the horizon line and the basic shapes of the ships, paying attention to their relative sizes and positions.

  2. step 02

    Block in the sky with broad strokes, establishing the light and dark areas of the clouds.

  3. step 03

    Establish the base color of the water, then add subtle variations to suggest depth and reflections.

  4. step 04

    Paint the basic shapes of the ships, focusing on their overall forms and proportions.

  5. step 05

    Add details to the ships, such as masts, sails, and rigging.

  6. step 06

    Paint the figures on the ships and on the shore, using small brushstrokes to suggest their forms.

  7. step 07

    Refine the details of the clouds and water, adding highlights and shadows to create depth and dimension.

  8. step 08

    Add final details, such as flags and reflections, to complete the painting.

color palette

primary · ultramarine blue · titanium white · raw umber

secondary · yellow ochre · burnt sienna · ivory black

Achieve the sky colors by mixing ultramarine blue and titanium white with small amounts of raw umber to create subtle variations. Use yellow ochre and burnt sienna to create the warm tones of the ships and sails. Mix ivory black with raw umber and ultramarine blue for the dark tones in the water and shadows.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·scumbling
  • ·rendering reflections
  • ·broken color

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a clear sense of depth and perspective.
  • →Using colors that are too saturated or intense.
  • →Ignoring the subtle variations in light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints (ultramarine blue, titanium white, raw umber, yellow ochre, burnt sienna, ivory black)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags or paper towels

optional

  • ·painting medium (e.g., Liquin)
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A medium can help with blending and drying time.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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