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home·artworks·Servant with a fruit basket and a pair of lovers
Servant with a fruit basket and a pair of lovers by Jacob Jordaens

plate no. 5521

Servant with a fruit basket and a pair of lovers

Jacob Jordaens, 1635

oilBaroquegenre paintingfiguresfruit basketcandlelightarchitectureparrotinterior
experienced study

Recreating this painting will help students develop skills in chiaroscuro and rendering figures in dramatic lighting. It also provides practice in capturing textures and details in complex compositions.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
5
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch outlining the main figures, architecture, and composition.

  2. step 02

    Establish the darkest areas of the painting with a dark underpainting using burnt umber or a similar color.

  3. step 03

    Begin blocking in the main light sources and highlights, focusing on the areas illuminated by the candlelight.

  4. step 04

    Develop the skin tones of the figures, paying close attention to the subtle variations in color and value.

  5. step 05

    Render the details of the fruit basket, architecture, and parrot, using smaller brushes and finer strokes.

  6. step 06

    Refine the shadows and highlights to create depth and dimension.

  7. step 07

    Add final details and glazes to enhance the overall effect.

  8. step 08

    Varnish the painting to protect it and enhance the colors.

color palette

primary · burnt umber · raw sienna · titanium white · ivory black

secondary · cadmium yellow · alizarin crimson · ultramarine blue

Achieve the warm candlelight glow by mixing yellows, oranges, and reds with white. Use burnt umber and black for the deep shadows, and add small amounts of blue and crimson to create depth in the darker areas.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·underpainting
  • ·portraiture

common pitfalls

  • →Failing to establish a strong value structure early on.
  • →Overworking the details before establishing the overall form.
  • →Not paying close enough attention to the subtle variations in skin tones.
  • →Using too much black, which can flatten the image.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·damar varnish
  • ·medium (e.g. Liquin)

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the overall color scheme.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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