apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Self-portrait with Vanitas Symbols
Self-portrait with Vanitas Symbols by David Bailly

plate no. 8717

Self-portrait with Vanitas Symbols

David Bailly, 1651

oilBaroqueself-portraitself-portraitvanitasskullstill lifeportraitsbubbles
experienced study

Recreating this painting will help students develop skills in rendering realistic textures, complex compositions, and subtle gradations of light and shadow. It also provides practice in capturing the likeness of a portrait.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
1

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of key elements.

  2. step 02

    Block in the main shapes and values, focusing on the large areas of light and shadow.

  3. step 03

    Start refining the details of the self-portrait, paying close attention to the facial features and hair.

  4. step 04

    Work on the still life elements, rendering the textures and details of each object.

  5. step 05

    Develop the background, creating depth and atmosphere.

  6. step 06

    Add the subtle details like the bubbles and reflections.

  7. step 07

    Refine the overall painting, adjusting values and colors as needed.

  8. step 08

    Add final highlights and details to create a sense of realism.

color palette

primary · ivory black · raw umber · burnt sienna

secondary · titanium white · cadmium yellow · alizarin crimson

Achieve the skin tones by mixing white, burnt sienna, and a touch of yellow and crimson. Use glazes of raw umber and ivory black to create shadows and depth.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture
  • ·still life painting

common pitfalls

  • →Getting lost in the details too early without establishing the overall values.
  • →Failing to accurately capture the proportions and likeness of the self-portrait.
  • →Overworking the painting and losing the freshness of the initial layers.
  • →Not paying enough attention to the subtle gradations of light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas 24x30
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·retouch varnish
  • ·medium (e.g. Liquin)

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the overall values.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne